BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792898976
DTSTART;VALUE=DATE:20220114
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792901025
DTSTART;VALUE=DATE:20220115
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792903074
DTSTART;VALUE=DATE:20220116
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792905123
DTSTART;VALUE=DATE:20220117
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792906148
DTSTART;VALUE=DATE:20220118
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792909221
DTSTART;VALUE=DATE:20220119
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792911270
DTSTART;VALUE=DATE:20220120
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792913319
DTSTART;VALUE=DATE:20220121
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792914344
DTSTART;VALUE=DATE:20220122
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792916393
DTSTART;VALUE=DATE:20220123
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792919466
DTSTART;VALUE=DATE:20220124
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792920491
DTSTART;VALUE=DATE:20220125
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792922540
DTSTART;VALUE=DATE:20220126
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792924589
DTSTART;VALUE=DATE:20220127
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792926638
DTSTART;VALUE=DATE:20220128
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792928687
DTSTART;VALUE=DATE:20220129
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792930736
DTSTART;VALUE=DATE:20220130
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792932785
DTSTART;VALUE=DATE:20220131
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792934834
DTSTART;VALUE=DATE:20220201
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792936883
DTSTART;VALUE=DATE:20220202
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792938932
DTSTART;VALUE=DATE:20220203
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792939957
DTSTART;VALUE=DATE:20220204
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792942006
DTSTART;VALUE=DATE:20220205
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792944055
DTSTART;VALUE=DATE:20220206
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792946104
DTSTART;VALUE=DATE:20220207
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792949177
DTSTART;VALUE=DATE:20220208
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792950202
DTSTART;VALUE=DATE:20220209
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792952251
DTSTART;VALUE=DATE:20220210
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792954300
DTSTART;VALUE=DATE:20220211
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792957373
DTSTART;VALUE=DATE:20220212
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792959422
DTSTART;VALUE=DATE:20220213
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792961471
DTSTART;VALUE=DATE:20220214
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792963520
DTSTART;VALUE=DATE:20220215
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792965569
DTSTART;VALUE=DATE:20220216
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792967618
DTSTART;VALUE=DATE:20220217
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792969667
DTSTART;VALUE=DATE:20220218
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792971716
DTSTART;VALUE=DATE:20220219
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792973765
DTSTART;VALUE=DATE:20220220
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792974790
DTSTART;VALUE=DATE:20220221
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792976839
DTSTART;VALUE=DATE:20220222
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792978888
DTSTART;VALUE=DATE:20220223
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792980937
DTSTART;VALUE=DATE:20220224
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792982986
DTSTART;VALUE=DATE:20220225
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792985035
DTSTART;VALUE=DATE:20220226
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792987084
DTSTART;VALUE=DATE:20220227
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792989133
DTSTART;VALUE=DATE:20220228
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792991182
DTSTART;VALUE=DATE:20220301
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792993231
DTSTART;VALUE=DATE:20220302
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792995280
DTSTART;VALUE=DATE:20220303
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792997329
DTSTART;VALUE=DATE:20220304
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713792999378
DTSTART;VALUE=DATE:20220305
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793002451
DTSTART;VALUE=DATE:20220306
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793003476
DTSTART;VALUE=DATE:20220307
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793005525
DTSTART;VALUE=DATE:20220308
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793007574
DTSTART;VALUE=DATE:20220309
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793009623
DTSTART;VALUE=DATE:20220310
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793011672
DTSTART;VALUE=DATE:20220311
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793013721
DTSTART;VALUE=DATE:20220312
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793015770
DTSTART;VALUE=DATE:20220313
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793017819
DTSTART;VALUE=DATE:20220314
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793059804
DTSTART;VALUE=DATE:20220315
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793061853
DTSTART;VALUE=DATE:20220316
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793063902
DTSTART;VALUE=DATE:20220317
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793064927
DTSTART;VALUE=DATE:20220318
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793066976
DTSTART;VALUE=DATE:20220319
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793069025
DTSTART;VALUE=DATE:20220320
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793071074
DTSTART;VALUE=DATE:20220321
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793073123
DTSTART;VALUE=DATE:20220322
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031643Z
UID:tag:localist.com\,2008:EventInstance_38713793076196
DTSTART;VALUE=DATE:20220323
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793077221
DTSTART;VALUE=DATE:20220324
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793079270
DTSTART;VALUE=DATE:20220325
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793081319
DTSTART;VALUE=DATE:20220326
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793083368
DTSTART;VALUE=DATE:20220327
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793085417
DTSTART;VALUE=DATE:20220328
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793087466
DTSTART;VALUE=DATE:20220329
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793089515
DTSTART;VALUE=DATE:20220330
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793091564
DTSTART;VALUE=DATE:20220331
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793093613
DTSTART;VALUE=DATE:20220401
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793094638
DTSTART;VALUE=DATE:20220402
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260610T031644Z
UID:tag:localist.com\,2008:EventInstance_38713793096687
DTSTART;VALUE=DATE:20220403
DESCRIPTION:It begins with a blunder. “I pressed stop instead of record\,
 ” writes Lisa Tan\, in the script for her new work\, Dodge and Burn 2017
 -2020 July 4. The mishap occurs during the first of three\, consecutive at
 tempts to film fireworks on the 4th of July\, from the vantage point of a 
 passenger on a commercial airliner destined for Los Angeles International 
 Airport. Through this evasion\, she discovers how an image refusing captur
 e reveals far more in its absence.\n\nWitnessed from inside the muffled in
 terior of an airplane\, fireworks seen from this position look a lot like 
 an image of war. If this is her initial\, facile observation\, it is troub
 led by the fact that moments before landing\, every plane destined for Los
  Angeles\, descends directly over neighborhoods where the militarization o
 f the police in America was actively developed in the 1960s and where the 
 first SWAT team was deployed. Making a connection between this history and
  its immanent affects\, she attempts to capture the scene inside of the de
 structive years of the Trump presidency.\n\nBy the time the shot evades he
 r for the third time (a third-year) a different kind of violence comes to 
 the fore. The visible shuffles place with the invisible. And we are taken 
 on a journey that reaches for the role of images in a time of visual and i
 nformation overload\, sensing how forms of violence are ever more frequent
 ly self-inflicted under prevailing structures\, including the condition of
  burnout\, troubling the established limits of representation.\n\nThe exhi
 bition holds these connections up for consideration inside of a spoken nar
 rative. The telling of which grounds the installation\, as it weighs if an
 d when an image\, a word\, or a piece of information\, is given or deprive
 d—sought out or passively encountered. \n\nThe exhibition is supported b
 y grants by the Barbro Osher Pro Suecia Foundation and the Willson Center 
 for the Humanities and Arts.
GEO:33.956519;-83.379299
LOCATION: Athenaeum
SUMMARY:Exhibition: Lisa Tan: Dodge and Burn 2017-2020 July 4
URL;VALUE=URI:https://calendar.uga.edu/event/lisa_tan_dodge_and_burn_2017_-
 _2020_july_4
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
END:VCALENDAR