BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Kota Ezawa: The Crime of Art
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961280254
DTSTART;VALUE=DATE:20210717
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961281279
DTSTART;VALUE=DATE:20210718
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961282304
DTSTART;VALUE=DATE:20210719
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961283329
DTSTART;VALUE=DATE:20210720
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961284354
DTSTART;VALUE=DATE:20210721
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961285379
DTSTART;VALUE=DATE:20210722
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961286404
DTSTART;VALUE=DATE:20210723
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961288453
DTSTART;VALUE=DATE:20210724
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961288454
DTSTART;VALUE=DATE:20210725
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961289479
DTSTART;VALUE=DATE:20210726
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961290504
DTSTART;VALUE=DATE:20210727
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961291529
DTSTART;VALUE=DATE:20210728
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961292554
DTSTART;VALUE=DATE:20210729
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961293579
DTSTART;VALUE=DATE:20210730
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961294604
DTSTART;VALUE=DATE:20210731
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961295629
DTSTART;VALUE=DATE:20210801
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961296654
DTSTART;VALUE=DATE:20210802
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961297679
DTSTART;VALUE=DATE:20210803
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961298704
DTSTART;VALUE=DATE:20210804
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961299729
DTSTART;VALUE=DATE:20210805
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961300754
DTSTART;VALUE=DATE:20210806
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961301779
DTSTART;VALUE=DATE:20210807
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961302804
DTSTART;VALUE=DATE:20210808
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961303829
DTSTART;VALUE=DATE:20210809
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961304854
DTSTART;VALUE=DATE:20210810
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961305879
DTSTART;VALUE=DATE:20210811
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961306904
DTSTART;VALUE=DATE:20210812
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961307929
DTSTART;VALUE=DATE:20210813
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961308954
DTSTART;VALUE=DATE:20210814
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961309979
DTSTART;VALUE=DATE:20210815
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961311004
DTSTART;VALUE=DATE:20210816
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961312029
DTSTART;VALUE=DATE:20210817
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961313054
DTSTART;VALUE=DATE:20210818
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961314079
DTSTART;VALUE=DATE:20210819
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961315104
DTSTART;VALUE=DATE:20210820
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961316129
DTSTART;VALUE=DATE:20210821
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961317154
DTSTART;VALUE=DATE:20210822
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961318179
DTSTART;VALUE=DATE:20210823
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961319204
DTSTART;VALUE=DATE:20210824
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961320229
DTSTART;VALUE=DATE:20210825
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961321254
DTSTART;VALUE=DATE:20210826
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961322279
DTSTART;VALUE=DATE:20210827
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961323304
DTSTART;VALUE=DATE:20210828
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961324329
DTSTART;VALUE=DATE:20210829
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961325354
DTSTART;VALUE=DATE:20210830
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961326379
DTSTART;VALUE=DATE:20210831
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961327404
DTSTART;VALUE=DATE:20210901
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961328429
DTSTART;VALUE=DATE:20210902
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961329454
DTSTART;VALUE=DATE:20210903
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961330479
DTSTART;VALUE=DATE:20210904
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961331504
DTSTART;VALUE=DATE:20210905
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961332529
DTSTART;VALUE=DATE:20210906
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961333554
DTSTART;VALUE=DATE:20210907
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961334579
DTSTART;VALUE=DATE:20210908
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961335604
DTSTART;VALUE=DATE:20210909
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961336629
DTSTART;VALUE=DATE:20210910
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961337654
DTSTART;VALUE=DATE:20210911
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100046Z
UID:tag:localist.com\,2008:EventInstance_35430961338679
DTSTART;VALUE=DATE:20210912
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961339704
DTSTART;VALUE=DATE:20210913
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961340729
DTSTART;VALUE=DATE:20210914
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961341754
DTSTART;VALUE=DATE:20210915
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961342779
DTSTART;VALUE=DATE:20210916
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961343804
DTSTART;VALUE=DATE:20210917
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961344829
DTSTART;VALUE=DATE:20210918
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961345854
DTSTART;VALUE=DATE:20210919
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961346879
DTSTART;VALUE=DATE:20210920
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961347904
DTSTART;VALUE=DATE:20210921
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961348929
DTSTART;VALUE=DATE:20210922
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961349954
DTSTART;VALUE=DATE:20210923
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961350979
DTSTART;VALUE=DATE:20210924
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961352004
DTSTART;VALUE=DATE:20210925
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961353029
DTSTART;VALUE=DATE:20210926
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961354054
DTSTART;VALUE=DATE:20210927
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961355079
DTSTART;VALUE=DATE:20210928
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961356104
DTSTART;VALUE=DATE:20210929
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961357129
DTSTART;VALUE=DATE:20210930
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961359178
DTSTART;VALUE=DATE:20211001
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961360203
DTSTART;VALUE=DATE:20211002
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961361228
DTSTART;VALUE=DATE:20211003
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961362253
DTSTART;VALUE=DATE:20211004
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961363278
DTSTART;VALUE=DATE:20211005
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961364303
DTSTART;VALUE=DATE:20211006
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961365328
DTSTART;VALUE=DATE:20211007
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961366353
DTSTART;VALUE=DATE:20211008
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961367378
DTSTART;VALUE=DATE:20211009
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961368403
DTSTART;VALUE=DATE:20211010
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961369428
DTSTART;VALUE=DATE:20211011
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961370453
DTSTART;VALUE=DATE:20211012
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961371478
DTSTART;VALUE=DATE:20211013
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961372503
DTSTART;VALUE=DATE:20211014
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961373528
DTSTART;VALUE=DATE:20211015
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961374553
DTSTART;VALUE=DATE:20211016
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961374554
DTSTART;VALUE=DATE:20211017
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961376603
DTSTART;VALUE=DATE:20211018
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961377628
DTSTART;VALUE=DATE:20211019
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961378653
DTSTART;VALUE=DATE:20211020
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961379678
DTSTART;VALUE=DATE:20211021
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961380703
DTSTART;VALUE=DATE:20211022
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961381728
DTSTART;VALUE=DATE:20211023
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961382753
DTSTART;VALUE=DATE:20211024
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961383778
DTSTART;VALUE=DATE:20211025
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961384803
DTSTART;VALUE=DATE:20211026
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961385828
DTSTART;VALUE=DATE:20211027
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961386853
DTSTART;VALUE=DATE:20211028
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961387878
DTSTART;VALUE=DATE:20211029
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961389927
DTSTART;VALUE=DATE:20211030
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961390952
DTSTART;VALUE=DATE:20211031
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961391977
DTSTART;VALUE=DATE:20211101
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961391978
DTSTART;VALUE=DATE:20211102
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961394027
DTSTART;VALUE=DATE:20211103
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961395052
DTSTART;VALUE=DATE:20211104
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961396077
DTSTART;VALUE=DATE:20211105
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961397102
DTSTART;VALUE=DATE:20211106
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961398127
DTSTART;VALUE=DATE:20211107
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961399152
DTSTART;VALUE=DATE:20211108
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961400177
DTSTART;VALUE=DATE:20211109
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961401202
DTSTART;VALUE=DATE:20211110
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961402227
DTSTART;VALUE=DATE:20211111
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961403252
DTSTART;VALUE=DATE:20211112
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961404277
DTSTART;VALUE=DATE:20211113
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961405302
DTSTART;VALUE=DATE:20211114
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961406327
DTSTART;VALUE=DATE:20211115
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961407352
DTSTART;VALUE=DATE:20211116
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961408377
DTSTART;VALUE=DATE:20211117
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961409402
DTSTART;VALUE=DATE:20211118
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961410427
DTSTART;VALUE=DATE:20211119
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961411452
DTSTART;VALUE=DATE:20211120
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961412477
DTSTART;VALUE=DATE:20211121
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961413502
DTSTART;VALUE=DATE:20211122
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961414527
DTSTART;VALUE=DATE:20211123
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961415552
DTSTART;VALUE=DATE:20211124
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961416577
DTSTART;VALUE=DATE:20211125
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961418626
DTSTART;VALUE=DATE:20211126
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961419651
DTSTART;VALUE=DATE:20211127
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961420676
DTSTART;VALUE=DATE:20211128
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961421701
DTSTART;VALUE=DATE:20211129
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961422726
DTSTART;VALUE=DATE:20211130
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961423751
DTSTART;VALUE=DATE:20211201
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961424776
DTSTART;VALUE=DATE:20211202
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961425801
DTSTART;VALUE=DATE:20211203
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961426826
DTSTART;VALUE=DATE:20211204
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961427851
DTSTART;VALUE=DATE:20211205
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961428876
DTSTART;VALUE=DATE:20211206
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961429901
DTSTART;VALUE=DATE:20211207
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961430926
DTSTART;VALUE=DATE:20211208
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961431951
DTSTART;VALUE=DATE:20211209
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961434000
DTSTART;VALUE=DATE:20211210
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961435025
DTSTART;VALUE=DATE:20211211
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961436050
DTSTART;VALUE=DATE:20211212
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961437075
DTSTART;VALUE=DATE:20211213
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961439124
DTSTART;VALUE=DATE:20211214
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961440149
DTSTART;VALUE=DATE:20211215
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961441174
DTSTART;VALUE=DATE:20211216
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961442199
DTSTART;VALUE=DATE:20211217
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961443224
DTSTART;VALUE=DATE:20211218
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961444249
DTSTART;VALUE=DATE:20211219
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961445274
DTSTART;VALUE=DATE:20211220
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961446299
DTSTART;VALUE=DATE:20211221
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961447324
DTSTART;VALUE=DATE:20211222
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961448349
DTSTART;VALUE=DATE:20211223
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961450398
DTSTART;VALUE=DATE:20211224
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961451423
DTSTART;VALUE=DATE:20211225
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961452448
DTSTART;VALUE=DATE:20211226
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961453473
DTSTART;VALUE=DATE:20211227
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961454498
DTSTART;VALUE=DATE:20211228
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961455523
DTSTART;VALUE=DATE:20211229
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961456548
DTSTART;VALUE=DATE:20211230
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961457573
DTSTART;VALUE=DATE:20211231
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961458598
DTSTART;VALUE=DATE:20220101
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961459623
DTSTART;VALUE=DATE:20220102
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961461672
DTSTART;VALUE=DATE:20220103
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961462697
DTSTART;VALUE=DATE:20220104
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961462698
DTSTART;VALUE=DATE:20220105
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961463723
DTSTART;VALUE=DATE:20220106
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961464748
DTSTART;VALUE=DATE:20220107
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961465773
DTSTART;VALUE=DATE:20220108
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961466798
DTSTART;VALUE=DATE:20220109
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961467823
DTSTART;VALUE=DATE:20220110
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961468848
DTSTART;VALUE=DATE:20220111
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961469873
DTSTART;VALUE=DATE:20220112
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961470898
DTSTART;VALUE=DATE:20220113
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961471923
DTSTART;VALUE=DATE:20220114
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961472948
DTSTART;VALUE=DATE:20220115
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961473973
DTSTART;VALUE=DATE:20220116
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961474998
DTSTART;VALUE=DATE:20220117
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961476023
DTSTART;VALUE=DATE:20220118
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961477048
DTSTART;VALUE=DATE:20220119
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961478073
DTSTART;VALUE=DATE:20220120
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961480122
DTSTART;VALUE=DATE:20220121
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961481147
DTSTART;VALUE=DATE:20220122
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961482172
DTSTART;VALUE=DATE:20220123
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100047Z
UID:tag:localist.com\,2008:EventInstance_35430961483197
DTSTART;VALUE=DATE:20220124
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961485246
DTSTART;VALUE=DATE:20220125
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961486271
DTSTART;VALUE=DATE:20220126
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961487296
DTSTART;VALUE=DATE:20220127
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961488321
DTSTART;VALUE=DATE:20220128
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961489346
DTSTART;VALUE=DATE:20220129
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260907T100048Z
UID:tag:localist.com\,2008:EventInstance_35430961489347
DTSTART;VALUE=DATE:20220130
DESCRIPTION:This exhibition will bring together new and recent works relate
 d to Ezawa’s “The Crime of Art” series\, a group of light-boxes and 
 video animations that chronicle some of the most infamous and high profile
  museum heists in history. At the heart of this exhibition is a series of 
 images that pays homage to the 13 works — including those by Degas\, Man
 et\, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Mu
 seum in 1990. Ezawa draws from the histories of media\, popular culture an
 d art history to create distilled renderings of iconic images. His simplif
 ied versions of indelible images remain easily recognizable and potent\, t
 he result of a process that illuminates the hold certain images have on th
 eir viewers. Working in a range of mediums such as digital animation\, sli
 de projections\, light boxes\, paper cut-outs\, collage\, print and wood s
 culptures\, Ezawa maintains a keen awareness of how images shape our exper
 ience and memory of events. “Kota Ezawa: The Crime of Art” was organiz
 ed by SITE Santa Fe with the Mead Art Museum.
GEO:33.940975;-83.370438
LOCATION:Georgia Museum of Art
SUMMARY:Kota Ezawa: The Crime of Art
URL;VALUE=URI:https://calendar.uga.edu/event/kota_ezawa_the_crime_of_art_31
 34
CATEGORIES:Exhibitions
CATEGORIES:Ongoing
END:VEVENT
END:VCALENDAR