October 25, 2013
Films, Lectures, Readings and Discussions, Free Events
Zell B. Miller Learning Center
“The Way We Were in 1973: From Mainstream Nostalgia to New Hollywood, Blaxploitation and Foreign Art Cinema." This fall’s Cinema Roundtable investigates 1973 in American cinema, expanding on the special “Now and Then: 1973″ exhibit at the Richard B. Russell Building Special Collections Libraries. This roundtable is moderated by Richard Neupert, film studies coordinator in the Department of Theatre and Film Studies, and features theatre and film studies faculty Freda Scott Giles (African American Studies), Christopher Sieving and Rielle Navitsky.
For politics and culture, 1973 included such milestones as Roe v. Wade, the return of POWs from the Vietnam War and President Richard Nixon proclaiming he was not a crook on national television.
In the world of cinema, things were just as tumultuous. Hollywood offered up movies set in the past, such as "The Way We Were" and "The Sting," while Scorsese’s "Mean Streets," "Malick’s Badlands" and Friedkin’s "The Exorcist" shook up the usual formulas. Within "Blaxploitation," women characters burst on the screen in Coffyand Cleopatra Jones, while Jimmy Cliff brought reggae into the mainstream with "The Harder They Come." But foreign cinema was also huge in art cinemas that year, with Brando shocking America in "Last Tango in Paris," though Truffaut’s "Day for Night" won the Academy Award, and Bruce Lee helped launch a martial arts craze.